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ABOUT GARRY GREENWOOD AND LEATHER

 

 

Garry Greenwood, sculptor and musician, pioneered the use of leather as a sculptural medium. His passion for music provoked his investigation first into the forms of musical instruments and then into the acoustic properties of leather. Ultimately this led to a collection of playable sculptures.


"The additional dimension of sound creates an even wider range of possibilities and in combination with established visual concepts will undoubtedly be a strong influence in future directions of my work"


Melbourne University's Grainger Museum held a major exhibition of Garry’s work entitled Leather Alchemy. This exhibition gives particularly incisive insight into his practice as a maker and musician.


Karlin Love's work with Garry Greenwood began with a performance for an exhibition in 1994. Following that performance, Garry built the first of the bowhorns which use saxophone mouthpieces. Karlin premiered the new instrument within a recital of Australian clarinet music in the U.S.A. later that year. Over the next few years she formed the Chordwainers leather instrument ensemble.


Karlin and the Chordwainers also work with the Tasmanian Leather Orchestra project of the Queen Victoria Museum and Art Gallery in Launceston, based on a collection of Greenwood instruments.


Greenwood's instruments have been collected and played by interstate and overseas musicians, including Don Burrows, Brian Brown, and Barry Tuckwell.– click here to see and hear the instruments..

Garry's long-term interest in theatre motivated him to work with the Launceston Repertory Theatre designing everything from sets, props, and promotional posters. He also worked extensively with TasDance, Tasmania’s oldest contemporary dance company.

From the early 1990s until the time of his death in 2005, Garry lived and worked just below the tree-line on rugged Mount Barrow in Tasmania’s northeast with his partner Lyn Evans, a musician and educator who collaborated with Garry on numerous projects.

Garry held 26 one-man exhibitions, was a member of the Leder-Gilde in Munich, Germany, and has work represented in many major national and international collections including the:

National Gallery of Australia
National Gallery of Victoria
Art Gallery of South Australia
Art Gallery of Western Australia
Tasmanian Museum and Art Gallery, Hobart, Tasmania
Queen Victoria Museum and Art Gallery, Launceston, Tasmania
University of Tasmania
 
 
 
Notes by Kaye Dowling, QVMAG Launceston
   
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